Sunday, September 21, 2014
The eleventh question
Saturday, September 13, 2014 - 9:03 p.m. - the mill

1 - Can dreams overcome the reality or does the reality inevitably unmask them?

2 - Should we prove the value of a dream, its effectiveness, its future profitability, its cost, what it will bring for that reality adopts it and embodies it?

3 - What makes the difference, at the instant when we dream, between the one that will come true and another which we finally decide it was not worth it, and that we will get rid?

4- Does some people don’t have the need to achieve their dreams, and for this reason - for this reason alone and not for the defective quality or lower intensity of unrealized dreams - do not seek to materialize them?

5 - Does some dreams of certain persons are more valuable than others?

6 - Is there useless dreams, beasts, wicked or that weaken, that should not been realized or which are worthless and even that annoy because they never become real, and on the contrary dreams that make go further, motivate, restore confidence, dreams to drop and dreams to keep?

7 - Does the dreams that come true, if dreams come true, be good dreams and those who don’t realize would be the bad?

8 - From the moment when a dream is a good dream can you have confidence that you will see it born one day, as if it was predestined that this dream see the light because it is right?

9 - When  we include a person in our own dream and the dream depends on his presence, can he be replaced if he disappears by another person who would play the same role?

10 - Does a dream have to be honest or can it lie or cheat, does it tells stories?

12 - Does dreams refuse to evolve if you don’t realize them?

13 - Are there normal dreams and sick dreams that need to be heal, dreams that don’t function well, or not at all nevertheless without being nightmares, handicapped dreams, wobbly, pathological dreams ?

14 - Is there people who want their nightmares come true?

15 – Does dreamers have more chance to see their dream come true because they often dream or are they so few pragmatic that they can rarely see the result?

16 - Is there smalls dreams and big ones, trifling and thrilling, some that deserve success, sharing, being disclosed, others that needs shade and hiding places, some tiny and giants, imposing pachyderms and delicate laces?

17 - Does some people never dream, have never dreamed, no longer dream, dream badly or even trying with a lot of good will do not succeed?

18 - Can we dwell the dream of someone else, or dream instead of someone and make enter him into our own self dream, if he agrees, or invite ourselves in a dream that is not yours if you are tired of dreaming or if like to question 13, you have a weird dream that needs support?

19 - Is a dream harmless and kind, or can it be manipulative, hurt while one believe it reassuring, can a dream be immoral?

20 - Is there dirty dreams, ugly, shaggy, unshaven, poorly dressed, misplaced, is it the way how you uses them that dirties ?

21 - Where is the eleventh question?

22 – Does speak of a dream exhausts its energy, so it will be more difficult to achieve, does a great dream
should remain secret?

23 - Does some dreams be solitary, as there would be collective dreams?

24 - Is the love of dreams  the same as the one which appears in real life, can we share a dream of love and make it concrete, meet the person of his dream of love is it only a legend for children?

25 - What is the purpose of dreams if they don’t realize?

26 - Are there dreams wildest than the others, dreams more able to  lives, dreams to give up, reasonable dreams, achievable dreams and impossible dreams?

27 – Are dreams programmed as there are lives plotted in advance, dreams from which one can’t escape, which would be like a gives bad, dreams that would have lost their free will, against whom we have no room for maneuver, which would not be responsible for what they dream, alienated dreams?

28 - Are dreams done to escape?

29 - Why dream and reality are most of the time in contradiction, and that to bear the reality you need to take refuge in dreams and to realize your dreams fight against reality?

30 - Does the fairies grant sweet dreams of children, and if they don’t, does witches in their place predict the bads?

31 - Is there  winners dreams and losers , those which win victories and those who fail, dreams crossing the finish line, and those which don’t have enough muscles?

32 - Are some dreams better trained for reality, are there helped dreams, sponsored, funded and dreams that can't afford, poor dreams and rich dreams?

33 - Does dreams grow older with children?

34 - Does dreams comply with social classification, bourgeois dreams, workers, chiefs dreams, noble dreams , garbage collectors dreams, prisoners, teachers, business, technicians, farmers, caregivers, researchers, or are dreams unclassifiable and don’t belong to any category?

35 - Is a dream come true destroyed, recycled in another dream or does it disappear once it no longer serves, does a dream wich come true still worthwhile?

36 - Does dreams blend such as mixed children, of all colors, religions or countries?

37 - Is there smart dreams and silly dreams, deficient dreams which they are lacking something in their mind and highly gifted dreams?

38 – Does the perfect dream exist, is it the perfect dreams that be realized?

39 - Can a dream generates other dreams?

40 - Is there dreams who take risks and snug dreams refugees within the comfort, revolutionary dreams who go to the battles and conformist dreams who want that nothing changes?

41 - What is risky for dreams, be locked up, shackled, alienated, losing his freedom, being invaded, censored, politicized, recovered, become demagogy, be destroyed or achieved?

42 - Must we master our dream, or should we become slave of it?

43 - Is there a waiting line of dreams, a favorable achieving order, vital priorities, forgot rights, emergencies, others which open doors so you have to dream them first?

44 - What prevents a dream to be carried out if it is technically possible to achieve it?

45 - Does a lot of frothy dreams are better than few dreams of great density, or many dense dreams than few scanty dreams?

46 - Does the place that a dream takes into the brain prevents all abilities to reality to unfold without hindrance?

47 - Is there brave dreams and dreams that are afraid, very very very shy dreams that would happen anyway, megalomaniac dreams that plotz, collapsed dreams and others who recovered after each plunge?

48 - Does some dreams end up giving up for never been realized, is there dreams more tenacious, ambitious, stubborn dreams and dreams that do things by halves, dreams who are waiting behind the windows and others who go to adventure and say whatever, no matter what happens?

49 - Is there disappointed dreams which annoy others, embittered old dreams that prevent going around in circles or make room for the young dreams?

50 - Is there crowned dreams, dreams which carry an aureole, sacred dreams that remain idols and dreams down to earth who desire to wrestle with the reality and accept their future triviality of realized dreams ?

51 - Do we dream the same dreams in a bedroom or living room, in a bed or on a chair, a house or an apartment, a barge or a ship, Venezuela and Germany, in a garden or a cave, a prison or a castle, at home or traveling, when we sleep or when we woke up, next to a loved one or far away from him?

52 - Is there empty dreams, absurd dreams, dreams that would not make sense but that might happen anyway?

53 - Is there  dreams too dense, too heavy as a saturated computer file or an overly complex program that would continually bugs?

54 - Is there awakened dreams and dreams that remain asleep, such as sleeping Beauty dreams forgotten because the prince would never have come to wake her?

55 - What is the difference between dream and prayer, are dreams  the rough drafts of the prayers, do we start dreaming after prayers while waiting for them are realized?

56 - Does some dreams scream louder than others, have charisma and impose themselves even if they are a little rough and coarse, love to talk about themselves and tell the whole truth, or such as the spiders webs, brittle and strong as whispers, they don’t need to be yelled for us to hear them, prefer a small audience and like the mysteries?

57 - Does a dream must follow the rules of art to materialize itself, is it a specific course where we should enter the gates in a certain order and respect a set of scrupulous loads, is there important rituals to honor, magic gestures, or should we forget everything we know to reach it, cross the boundaries, break down barriers, let ourselves be guided, trusting while forcing passages without knowing what they hiding?

58 - Do we may reach our dream without meaning to, as a free gift, or should we bring ourselves to a life of toil, faith and sweat until you have rights to it?

59 - Is the dream carrot for the donkeys?

60 - Is there false dreams, fakers dreams in dreams suit, which are actually disguises, cardboards dreams and true dreams, those who will never betray, which does not sham dreaming?
61 - Does a dream deserves what happens to him?

myriam eyann

Posted at 7:12 - 0 comment

Friday, September 12, 2014
The sinews of war

Saturday, July 19, 2014 - 1:28 p.m. -Vitry

Is creativity  accessible to everyone? Does everyone has the capacity to create? Does everyone has this need? What it means to create anyway? Where does the creative act come from, what is its origin? Is create a passion or a necessity? What is the difference between the amateur and professional? Is there as many answers and nuances as many creative people?

Any answer which take the water is be null and void.

From time to time, an ear overheating, associated dizziness, nausea, looks like the loops in the big mountain A manufacturing defect has deprived me of any filter possibility, I never well understood, a story of tether in the inner ear, the center of balance, a small thingumabob missing, a kind of rubber, if needed.


Find an acceptable solution to my personal utopia justifies the existence of the above questions. Spend my days creating, don’t do more than that, draw, read, write, think about my plans, models, sketches, dig them such as galleries until my treasure, even in secret.
The reframings on the profitability that must include all life, capitalization, achievement, all that could concern the amorality of such activity and laziness characterization, social uselessness, megalomania, unconsciousness, or rebellion, don’t interest me and don’t respond to the question raised.
It doesn't suit me to be misunderstood, believe in a cursed part that would define , or scaffold a myth of wacky and uncontrollable personality that would compose my identity.

I don’t care about all this.

I would like to not worry about of the transmitted message or to be transmitted, what people will think of my work, to know whether I please or not, if my words are politically correct or will shock, be part of the arts community or have the capacity to blend in a peer circle, the ways to no longer worry about my rent, my food or my comfort, my holidays, my health, afford to this different life, to sell my creations well or poorly, have the correct artistic rate, do whatever is necessary to introduce myself, play the game, make a masterpiece or be composing it, think about or envisage it, to dream for or be haunted by that.

I don’t care all this. Even if we must solve the equations.

Why this desire for a drawing which would last the rest of my life?
The answer is my secret key for the first door that will provide access to the second, then the third and the following. Build my project without it being perceived as an escape, renunciation, hiding place usurped and not deserved, what I want, what I don’t want, boundaries to discover, among my leaders, sometimes forgetting them,  however, it is my own life that I build. Neither authorization or justification, but recognition.

The money I call it the sinews of war, the second fuel, without him everything is different. Restrict the means and comfort is possible, it would involve only with pencil and a sheet (by luck ! the paint costs much more expensive!), ascesis undoubtedly entirely laudable,  tools reduced to their simplest form would render to the artistic creation the  freshness lost in luxury - it takes to let go the bad word - that corrupts all kind of imagination.

Only money can provide time and orgy of technical performances that push the limits of what can be dreamed. We wouldn’t have built the cathedrals, The Raft of the Medusa, the ceiling of the Sistine Chapel, any one of the seven wonders, careers, masterworks, we would have done nothing. Taking place needs a disproportionate energy at certain times. We would almost believe that staying in the caves is comfortable. Being of his time, take its time, persist over time, conjugate times, be of all times, and time goes

For the indebtedness, you eventually adjust your spending, there are years since I don’t do my accounts - despite my training I'm particularly bad at mental arithmetic, ask me how many are sixteen and twenty-one to make cracks me up, it is impossible for me to move beyond the stage of the bill. Not that I call into question what it costs. To tell the truth, in fact, more and more often, when I think about it, whatever the expense and purchase, understand what I pay for remains very confused. It's not that I refuse to put the price, or a luxury history, pay what you can’t afford, I'm the only one who knows how far can my credit worthiness.

In my opinion, for what it's worth, any individual wishing to live of its creations must resolve the enigmas in his own way, good or bad, choose water down, hackney them, leave them open or closed, such as mysteries The posture that would be appropriate would be an oscillation, a weight in the stomach, an entrenched mass that would allow pitching, front, rear, one side to the other, without ever falling, a kind of Bidibulle. Forget the representations of melancholic artist, destitute, valiant, hardworking, find joy, peace, calm, I dare sometimes to think about what is the foregoing, and the following with a smile on the lips.

The word to live is inappropriate, I already live of my creations without them ensure my material livelihood. You can turn the problem in every direction to not have to wrestle with the rest, materiality, technical resources, glazes, recognition, value, sacred gift, talent, or worse, the vocation. A warrior without horse don't go in the battle, he can stay in the back and polish his armor, refine its campaign planning, or dream that war never concern him. The one who doesn't want to take his own head, he doesn't have to.

One doesn’t create to sell, but to create you need to sell. With few exceptions, it is historically known. Create is not my passion but my need. The interference that is the action of putting a price or to imagine any value to my work, lost time anyway in a multitude of obligations, the story of the goose that lays the Golden Eggs, accept that there is a market guts (I borrow the expression from Jean Rochefort), listen or tune out , to rub so bad waves on the frequency that you couldn’t be able to listen again the one on which you can broadcast, losing it is a risk, find it is also one.

The quality of listening depends on the hardware that you  afford, at the age of 46 years soon I know what it cost, and high quality stereo is in my ways, it allows finesse reception enlarged, even if the training time to adjust the inner ear is very long, and purchasing the right decoder requires a credit on twenty or thirty years. The equipment of the ears are precision technology. Sometimes, I confess, I avail the occasion, but it’s nevertheless the least of it. Other times I pick a frequency that wasn’t expected to hear. Oh well ! It’s better to listen than being deaf, although it’s not useful to be on constantly bugging - it undermine the ears.

Perhaps it’s easier not solve anything, after all, efforts to be part of that you aren’t supposed to be, assert an identity that exists only for yourself, inevitably accept to seem to most eyes, and then find the means, grab on this fuc... sinews of war, if only they sold on FNAC[1] that one, at least with my credit card I'd paid me! What is the point to denature my gestures and intentions, face the opposite current, all that prevents to swim freely, am I strong enough, is there enough muscles in a human body to swim across the Channel , to renounce there is only excuses.
Some people have grime in the ears. It’s not about cleanlines here, but about morality. They say it’s bad about not washing,  we mix all, if the property keep his place we would recognize it better. My sister regularly launches the joke, only the dirty ones wash themselves. Even trying not to wash myself, it doesn’t work, the stuff of plugged ears, it doesn’t work.

I don’t like swimming, I don’t like muscles, I don’t like credit cards, I don’t like the sinews of war, I don’t like to play, I don’t like obligations I don’t like parasites and warriors without horses, I don’t like the stresses, I don’t like questions and equations, I don’t like the maze of labyrinths, I don’t like the answers .
Any Schtroumpf doesn’t  schtroumpfe on the Black Schtroumpf[2].

myriam eyann

[1]The FNAC, First grand cultural product store in France, literature, music, multimedia, photos, computers, first in Paris since 30 years and now in all the hexagon
[2] The Schtroumpfs (the Smurfs), belgian comics design by Peyo, created in 1958, very famous for the french kids, centered on a fictional colony of small blue creatures who live in mushroom-shaped houses in the forest. The Black Schtroumpf is the only one to be black, always complaining, he don’t like anything.

> More
Posted at 4:39 - 0 comment

Texts archives

   December (1)
   November (1)
   October (1)
   September (2)
   August (3)
   July (1)
   June (2)
   May (3)
   April (2)


There are authors who write with light, others with blood, with lava, with fire, with soil, with mud, with diamond powder, and finally those who write with ink, the unfortunate, with ink simply.

Pierre Reverdy, Le Livre de mon bord